Pro tools 101 drumloop.wav5/1/2023 ![]() Let’s say you’ve recorded multiple takes to matching Playlists across two audio tracks in an Edit group. However, as we shall see, there are still ways in which things can get out of sync at the editing stage.Īs long as the Edit Group remains active, Pro Tools’ comping functionality applies even when one of the tracks is switched to Waveform view: selecting a portion of a clip from one of the Playlists (above) and hitting the up arrow button promotes that section to the master playlist on both tracks (below). Placing the tracks in an Edit Group first pretty much guarantees that that can’t happen. If you rely on manually selecting tracks before creating Playlists, you leave open the possibility that you might miss one of them out and if you do this even once, it’ll completely screw up any subsequent comps. The reason that it’s best to work with Grouped tracks is that you really, really don’t want your Playlists on different tracks to get out of sync with one another. With any one track in the Group selected, the basic Ctrl \ shortcut creates new Playlists on all of them (you could enable the All group if you want to do this to every track in the Session). ![]() In practice, though, Playlist creation across multiple tracks is much better handled by making those tracks into an Edit Group first. Thus, the basic Ctrl \ shortcut (Windows: Start \) creates a new Playlist on the selected track, whilst Ctrl Alt \ does so for all tracks, and Ctrl Shift Alt \ creates new Playlists on all selected tracks. Over the years, various useful keyboard shortcuts relating to Playlists have been added to Pro Tools, and in general, these reflect the usual pattern whereby adding in the Alt key performs the same action to all tracks, and adding Shift Alt performs it across all selected tracks. When tracking a music for picture session, you might want to record multiple takes of an entire orchestra to the same point in the timeline, which could involve creating new Playlists for tens or hundreds of tracks at a time. You might, for example, mic a bass cabinet whilst simultaneously recording a DI to a second track and the vast majority of drum kit recordings are made using multiple microphones recorded to separate tracks. Playlists on a single track are great for editing together vocal comps and the like, but there are many sources that need to be recorded to more than one track. One of the best features of Playlists is that you can synchronise them across multiple tracks. The basics of Playlists have been covered several times before in SOS, and I’d refer anyone who hasn’t used this feature to Mike Thornton’s introduction back in April 2009 ( I’ll try to avoid covering familiar ground in this article instead, I want to untangle some of the less obvious aspects of the way Playlists behave when edited. Better still, you can create an additional empty Playlist and use Pro Tools’ advanced comping tools to piece together a composite of the best bits from all the takes. Each new Playlist you create is ‘stacked’ on top of its predecessor, and once you’ve finished recording, you can select whichever Playlist contains your favourite take. Creating a new Playlist on a track lets you record anew into that track whilst keeping whatever you have previously recorded. The basic idea of Playlists is to allow you to record multiple takes of the same audio or MIDI parts, without having to create a new set of tracks or move further down the timeline every time you want to do so. Playlists are one of those Pro Tools features that have long been coveted by users of other DAWs, and most rival products now offer similar functions, although not all of them are as elegant as Avid’s original implementation. Playlists in Pro Tools are usually invaluable, but once in a while, they can trip you up. ![]() A fourth, empty Playlist has been created to serve as a receptacle for my composite edit. In this simple example, three takes have been recorded to separate Playlists in two audio tracks, which have been Grouped. ![]()
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